When,
how & why did raphael die |
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Raphael
->Main page |
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Raphael's
death mystery |
Raphael's
Death |
Raphael
killed by too much sex? |
Raphael's
Funeral |
Untimely
Death |
Raphael
died during sex? |
Where
is Raphael buried? |
Raphael's
death in art: |
Hausen
Riepe |
V.
Bianchini- Morgari |
Johannes
Riepenhausen |
Pierre
Nolasque Bergeret |
Pietro
Michis |
Carl
Thiel |
Niccola
Ulacacci |
Felice
Schiavoni |
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Henry
Nelson O'Neil
The
Last Moments of Raphael
1866
Oil on canvas, 121.1 x 182.3 cm, Bristol
Museums, Galleries & Archives
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Diarii
of Marcantonio Michiel:
"He died on Holy Friday (Good Friday) at night at three hours, with
the coming Saturday being the day of his birth." |
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Raphael's
death
According
to Vasari, Raphael's premature death on Good Friday (April 6, 1520),
which was possibly his 37th birthday, was caused by a night of excessive
sex with Luti, after which he fell into a fever and, not telling
his doctors that this was its cause, was given the wrong cure, which
killed him. Vasari also says that Raphael had also been born on
a Good Friday, which in 1483 fell on March 28.
Whatever the
cause, in his acute illness, which lasted fifteen days, Raphael
was composed enough to receive the last rites, and to put his affairs
in order. He dictated his will, in which he left sufficient funds
for his mistress's care, entrusted to his loyal servant Baviera,
and left most of his studio contents to Giulio Romano and Penni.
At his request, Raphael was buried in the Pantheon.
His
funeral was extremely grand, attended by large crowds. The inscription
in his marble sarcophagus, an elegiac distich written by Pietro
Bembo, reads:
"Ille hic est Raffael, timuit quo sospite vinci, rerum magna
parens et moriente mori", meaning:
"Here lies that famous Raphael by whom Nature feared
to be conquered
while he lived, and when he was dying,
feared herself to die"
Raphael
killed by too much sex? |
Raphael
died during sex? |
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Franz
and Christian von Hausen Riepe (Riepenhausen)
Raphael's death
Engraving, 1816 |
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Vasari:
"He ended the course of his life on the very day that he was born,
which was Holy Friday."
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Painting Inscribed V. Bianchini
After
Rodolfo Morgari Italian, 1827–1909
La morte de Raffaello
(“Death of Raphael Sanzio”)
Oil
on canvas, 60.75 x 51 in. (154.3 x 129.5 cm)
After a painting by Rodolfo Morgari exhibited in the Galleria
del'Arte Moderna, Firenze, 1880.
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According
to Vasari, it was Raphael’s immoderate indulgence in “amorous
pleasures”, one day taken to excess, that brought on the fever
which led to the young artist’s death in 1520. On his deathbed Raphael
was forced to send La Fornarina,
his mistress, away “with the means to live an honest life.”
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Raphael,
the artist killed by too much sex?
It may be a tall tale, but the
legend that the artist overindulged with his mistress has served
to keep his art alive |
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Can
you die of too much sex? That's what happened to the divinely gifted
Raphael, according to his 16th-century biographer Giorgio Vasari.
Vasari
recounts in his book The Lives of the Artists that Raphael, who
died aged 37 at the peak of his powers, was brought down by excessive
passion. This view of health is medieval: the body is controlled
by humours, health depends on a balance of humours, and Raphael's
was destabilised by too much action in bed. Well, it's a theory.
And
yet Vasari goes into detail about Raphael's emotional life. The
young, gifted, handsome and courtly artist, he claims, was so enamoured
of his mistress that she had to be allowed to live with him in the
Villa Farnesina in Rome (as it's now called) while he was painting
its frescoes. No sex, no frescoes. The story of Raphael's sensual
relationship with La Fornarina, as Vasari names her, fascinated
artists down the centuries. Raphael became an icon of lust.
In
the Turner exhibition currently at Tate Britain, you can seen Turner's
imposing painting of Rome from the Vatican Loggia, with Raphael
and La Fornarina in the foreground (Raphael is showing off his latest
paintings while her jewellery is scattered on the parapet). Raphael
was the favourite painter of the popes. That such a perfect church
painter was, in fact, making love to his mistress in the Vatican
was an idea that titillated Turner – and it titillated Picasso
even more.
Near
the end of his life, Picasso created a series of pornographic etchings
that depict Raphael and La Fornarina making love, with Michelangelo
hiding under the bed.
The
legend of lustful Raphael, it seems, has entranced artists. But
is there any truth in it? Well, before dismissing it as a salacious
tale, you have to look at Raphael's portrait of a naked woman –
is she La Fornarina? – in the Barberini Palace in Rome. She
stands displaying her beauty, in a pose at once classical and intimate.
She wears an armband proclaiming her as his. It's a pretty unambiguous
declaration of desire – not a remote ideal nude, but the artist's
own lover. Surely sex didn't kill Raphael. But it does help his
art live on.
Jonathan
Jones - Guardian
News |
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His
famous painting "Transfiguration" (last major work)
was placed at the head of the bier,
and his body was buried in the Pantheon in Rome |
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Pierre
Nolasque Bergeret
(French, 1782-1863)
Honors
Rendered to Raphael on His Deathbed
“Honneurs rendus à Raphaël après
sa mort”
1806
Oil on canvas. Height: 130 cm (51.2 in). Width: 190 cm (74.8 in)
Rueil-Malmaison, Musée du Château
This
homage to the great Italian painter Raphael is part of a late
18th- to early 19th-century tradition of depicting the deaths
of historical figures.
Here, Pope Leo X and Cardinal Bembo are seen at Raphael’s
deathbed in Rome in 1520; Michelangelo, in a yellow cloak, enters
the room, while
Giorgio Vasari pens the artist’s life at lower left. Though
the manner is realistic, the event is not; Michelangelo was not
in Rome at the time,
and Vasari was a mere eight years old. The work was exhibited
at the Paris Salon in 1806, where it was purchased by Napoleon
for his empress,
Josephine, who installed it in her chateau, Malmaison.
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Letter
from Marcantonio Michiel in Rome to Antonio di Marsilio in Venice:
"Death carried him off on the very day of his birth."
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Raphael
died during sex?
Raphael's cause of death. Myths and truth.
There is a myth that the famous artist died at the
age of 37 from sexual exhaustion. Was it really so?
Version
1 (Myth)
One of the three Titans of the Renaissance was handsome
as a god. However, against the backdrop of two other artists, Leonardo
da Vinci and Michelangelo, he seemed too feminine. However, the
paradox: from the famous trio only Rafael Santi was the only real
man. Santi did not miss a single skirt. During his life he had at
least a dozen official girlfriends, among whom was the daughter
of baker Margarita Luti, nicknamed Fornarina. In Fornarina, in addition
to the angelic face, genius attracted her large breasts. Since he
bought a girl from his father for decent money at that time - 50
gold ducats, he considered the magnificent bust of the girl as his
property. Strange as it may seem, Rafael did not want others to
see his treasure. And drawing a beautiful Bunny, greatly reduced
the size of her breasts.
As Italian historians assure, it was Raphael who invented then a
new kind of sexual stimulation, which is now called tits rape (instead
of the vagina male penis sexually attacks the female breast). And
he indulged in this passion very passionately, obsessively and often.
And if you believe the contemporaries, just during the next "rape"
Fornarina, who never refused him, a sexually-exhausted great artist
and died at the age of only 37 years. If this was true, then, presumably,
Rafael died absolutely happy. In Italy, it was sacredly believed,
and since then, the men who died on the love bed, there escorted
the last way with the words: "He died like Raphael".
Version 2
(another myth)
Approximately as in the first version, only death
came a day after the last copulation of the artist with the sexually
insatiable Fornarina. And it was an ordinary coitus, not a tits
rape.
Why
and how did Raphael Santi die?
Version
3 (the more close to the truth) - Fornarina's infidelity.
Broken Heart Master.
Rafael silently watched how Margarita cheated on
him with others. And he did not say anything. He suffered so much
that he could not always get out of bed in the morning. He lost
weight, almost did not eat. Doctors diagnosed "a sharp exhaustion
of the body." Rafael continued to paint Fornarina as a model
for his paintings. He knew about her infidelity. He knew that she
had become one of Rome's most dissolute courtesans. He tried to
correct it. He hoped that she would change her mind, that his love
would win. But the weary heart of the master could not stand it.
It stopped on the day of his birth - April 6, 1520. He was only
37 years old. And he could paint many more pictures. Margarita Luti
ended her life in a monastery.
Raphael's
Funeral |
Where
is Raphael buried? |
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Raphael's
deathbed |
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Johannes
Riepenhausen
(German, Goettingen 1788–1860 Venice)
The
Death of Raphael
1832
Pen and black and brown ink; framing line
in graphite and brush and gray ink
Drawings: Sheet 26.6 x 35.1 cm
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Untimely
Death. How old was Raphael, when he died?
Raphael
Sanzio died from an illness and fever at the young age of 37, but
what makes his untimely death even more unusual is that he died
on his birthday. He died, as he was born, on April 6, 1520, and
with his death came the end of the Italian Renaissance. His early
death seems to have helped him avoid what he is most famous for
saying: "Time is a vindictive bandit to steal the beauty of
our former selves. We are left with sagging, rippled flesh and burning
gums with empty sockets."
Four Interesting Facts About
Raphael Sanzio by Melissa Sherrard |
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Felice
Schiavoni
The
Death of Raphael
1839-1859,
Oil on canvas
The State Museum of Tsarskoye Selo, Pushkin
The
people depicted in this painting include (19 characters):
Marcantonio Raimondi, Perino del Vaga, Vincenzo Tamagni di San
Giminiano, La Fornarina, Giulio Romano, Baldassarre Peruzzi,
a friar, Gian Francesco Penni called il Fattore, Andrea Navagero,
Pietro Bembo, Baldassarre Castiglione, Ludovico Ariosto,
Michelangelo, Antonio Tebaldeo, Giovanni da Udine, Benvenuto Cellini,
Natale Schiavoni,
Felice Schiavoni, and Giulia Schiavoni Sernagiotto.
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In
1839, the granduke Alessandro Romanov, future Alessandro II tsar of
Russia, commissioned the painter Felice Schiavoni, who was born in
Trieste but had been working in Venice, to execute an enormous painting
depicting the participants of the funeral for Raphael. After 20 years
of work, in 1859, the painting measuring about 8 square meters was
sent to Saint Petersburg to be placed in the summer residence of the
court in the town of Pushkin, in which the painting can still be admired.
From: Renaissance Revisited |
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Engraving
by R. Bong in "The Iberian Illustration"
1885, colored
Italian
Pope, named Giovanni de Medici (Leo X) in Raphael’s deathbed
Pope
Leo X (1513-1521), named Giovanni de Medici
is shown here in April 1520 at Raphael's bier mourning the loss
of his friend who died so young, in his early 40s. |
When
I view my original 19th century print of “Pope Leo X Taking
His Last Farewell of Raphael,”
I see the lifeless, clothed corpse of Raphael which was meant to
be temporal, and the Divinely noble spirit of beauty
which was meant to be timeless; to which even the Pope bowed, and
the untattooed statues in the background testified Needless to say,
had Raphael been tainted by even a vestige of Hans Kung, his work
would have remained sub-standard.
Stephen Michael Volk, Living Water |
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Carl
Thiel (1835–1900)
The Death of Raphael
Oil
on canvas, 175.5 x 225 cm
Bradford Museums and Galleries |
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Niccola
Ulacacci (1805 - 1888)
The Death of Raphael
The
art collection of the University of Göttingen |
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The
lithograph by little-known Livorno artist Niccola Ulacacci (1805
- 1888) shows the death of the Italian painter and architect
Raffael (1483 to 1520) among his friends, pupils and admirers.
Raphael lies pale between the white sheets of his bed; the facial
features, the long, curly hair, and the beard make him look
like Christ. In the adjoining room, the painting of "Transfiguration"
hangs, while Raffael died on Good Friday, 6 April 1520. In the
19th century, Raphael's life and death gained a special significance
for the artists of the Romantic period. Raphael was for her
both "divine artist" and "mortal God". For
example, the brothers Franz and Johannes Riepenhausen, who came
from Göttingen, designed two series of paintings in Rome,
in which they recount the artist's life from childhood to death.
The artwork of the month is the starting point for a preview
of the special exhibition "Mortal Gods - Raphael and Dürer
in the Art of German Romanticism", which will be shown
in the art collection from the middle of April.
uni-goettingen.de |
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The
Death and Funeral of Raphael
Raphael's
premature death on Good Friday (April 6, 1520), which was possibly
his 37th birthday, was due to unclear causes, with several possibilities
raised by historians. Vasari also says that Raphael had also been
born on a Good Friday, which in 1483 fell on March 28.
Whatever
the cause, in his acute illness, which lasted fifteen days, Raphael
was composed enough to confess his sins, receive the last rites, and
to put his affairs in order. He dictated his will, in which he left
sufficient funds for his mistress's care, entrusted to his loyal servant
Baviera, and left most of his studio contents to Giulio Romano and
Penni. |
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Raphael
died on his thirty-seventh birthday April 6,1520 at the peak his career.
A hard worker all his life, he had given his best to an increasing
number of projects and patrons. Yet Raphael also enjoyed the pleasures
of life. According to Vasari, after one all-night party, the artist
returned home with a mysterious fever. He lay ill fifteen days, during
which time doctors bled him, according to medical treatment of that
time, "until he grew faint.” Raphael dictated his last
will and testament, in which he provided for his beloved mistress
Margherita, and bequeathed his studio with all its art materials to
his assistants. At the time of his death, Raphael’s fortune
was estimated to be 16,000 ducats. |
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Where
is Raphael buried?
Raphael's tomb, sarcophagus, skeleton
At his request, Raphael was buried in
the Pantheon. His funeral was extremely grand, attended by large
crowds. The inscription in his marble sarcophagus, an elegiac
distich written by Pietro Bembo, reads: "Ille hic est Raffael,
timuit quo sospite vinci, rerum magna parens et moriente mori",
meaning: "Here lies that famous Raphael by whom Nature
feared to be conquered while he lived, and when he was dying,
feared herself to die." |
Raphael's
tomb
in the Pantheon
in Rome |
Raphael's
sarcophagus
in Pantheon
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Raphael's
Skeleton
at the Opening of his Tomb |
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The
Death
of Raphael
The death of Raphael
with "The Transfiguration" hanging behind his body.
An illustration to "Italy, a poem" by Samuel Rogers, 1830.
Etching and engraving
Print made
by John Henry Robinson
after Thomas Stothard
(British, 1755 - 1834)
Dimensions:
7,9x10,8 sm (sheet).
Inscription Content:
Lettered with producer names.
National Gallery of Victoria, Melbourne. |
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Raphael-main page |
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